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Profile of
a SAJAer:
ABRAHAM VERGHESE
Distinguished writer & physician
Resources: ABRAHAM
VERGHESE
is one of the most respected and powerful
writers to appear on the American nonfiction scene in the 1990s. His first
book, "My Own Country: A Doctor's Story" received outstanding
reviews that praised the quality of the writing and the deep passion expressed
in his memoirs about treating AIDS in small-town USA - Johnson City,
Tennessee, to be precise. Time magazine
called it one of the five best books of 1994. The New York Times Book
Review called the book "an account of the plague years in America,
beautifully written, fascinating and tragic, by a doctor who was shaped
and changed by his patients." In his second
book, "The Tennis Partner: A Story of Friendship and Loss" (Harper
Collins, September 1998) he penned a riveting work about coming to
personal terms with love and loss through the death of his best friend
and tennis partner. "My
Own Country" was made into a Showtime original movie directed by
Mira Nair ("Mississippi Masala" & "Kama Sutra"
and starred Naveen Andrews ("The English Patient") as the author. Verghese
was born in Ethiopia in 1955 to parents who were immigrants from India.
He attended medical school in Ethiopia and worked in various hospitals
in the U.S. before going to Madras to complete his medical education. In 1980,
returned to the U.S., where he did his internship and residency in Johnson
Hill, Tennessee. In 1990, Verghese worked at the University of Iowa's
outpatient AIDS clinic. While there, he attended the Iowa Writers' Workshop
and was encouraged to turn his Johnson City experiences into a book. He
has also written for The New Yorker, Granta, Talk, Sports Illustrated and many
medical journals.
Profiling
Verghese, writer Anne-Kathleen Kreger wrote: Although writing and
medicine seem to be disparate disciplines, they share tremendous
parallels, according to Dr. Verghese. In Dec. 2004, in a profile in Texas
Monthly, Jan Reid described him thus: "Abraham Verghese has established
himself as one of the most gifted writers ever to make Texas his home.
Then again, writing is just a hobby compared with his somewhat more
ambitious day job: Changing modern medicine as we know it."
In 2002,
after a stint as professor of medicine and chief of infectious diseases
at Texas Tech Health Sciences Center in El Paso, Texas, he became the
founding director of
Center for Medical Humanities
and Ethics, which is located on the campus of The University of
Texas Health Science Center at San Antonio.
MANHATTAN,
SEPT. 27, 1999: It doesn't matter whether you have read Abraham Verghese's
books. It doesn't matter what you think of Verghese as a physician. If
you had attended Verghese's presentation in New York tonight, you would
have left the meeting with a nagging question: Why doesn't God cast more
of our species in the like of Verghese? Dr. Abraham
Verghese, author of "My Own Country" and "The Tennis Partner" was the
featured speaker at SAJA in New York. As usual, the venue was Maharaja
Restaurant on East 44th Street. And, as usual, the meeting started a few
minutes late. Blame it on trying to assemble a bunch of South Asians in
one place in an orderly fashion. But, the
wait was worth it: The doctor's delivery was delectable. Dr. Verghese
is not merely a good doctor. He is not only an accomplished writer. He
is also a good public speaker and a good conversationalist. He was making
his second appearance at SAJA, this time launching the paperback edition
of "The Tennis Partner." Dr. Verghese was introduced gracefully by journalists
Raj Rangarajan and Deepti Hajela to a crowd of about 50 serious book lovers.
I don't
know about the rest of the audience, but I was under a spell as the writer
read excerpts from his book. As Verghese read, you could almost feel his
reliving the melancholy moments with his departed tennis partner. Words
come naturally to this "African-born-but-of-Indian-parentage-naturalized-American."
In a matter of an hour, he presented his many sides: the caring doctor,
the careful writer, the inquisitive immigrant and finally, the well-settled
citizen in "his own country." The writer
spoke in a personal tone with no pretense or pomposity. He dealt with
questions from the audience thoughtfully. In a matter of an hour or so,
I felt like I got to know him personally and rather well. Asked if
the Iowa Writer's Workshop added anything significant to his writing talent
which he seems so naturally endowed with, he said he did learn a lot at
the workshop that he had not expected to. He found those quiet weeks in
Iowa valuable because he had a chance to slow down and read many books
that he had never read. He also gained a lot from the peer criticism at
the workshop. Verghese
started out as a writer of fiction, but has achieved much acclaim from
non-fiction. He seems to have figured out the intricacies of the publishing
world with the same ease with which he seems to have mastered medicine.
Did you know that nonfiction books make far more commercial success than
fiction? His heart still seems set on a fictional work that is waiting
to pour out from his pen. He is working on a collection of short stories
with, perhaps, a novel to follow. When he finds time, he writes for Talk
magazine (Tina Brown stole him from The New Yorker when she started her
new venture). He keeps a regular journal and does much of his writing
in the early-morning hours (or whenever his baby is asleep). He composes
on the computer, but likes to edit his work on printed paper. He avoids
browsing the internet, carefully picking up only what he needs from the
Net. Sandhya Ganti,
a physician and writer in the audience, described how the emotions of
dealing with sick patients linger with her and catch up several days after
dealing with a patient. Dr. Verghese agreed. He thinks that doctors (both
male and female) are conditioned to bottle up their emotions, which he
thinks accounts for the high incidence of suicide and addiction among
doctors. He confessed that the emotional content of his own patient interactions
has grown as he has grown older. In an interesting comment comparing the
process of being a writer and a doctor, Verghese pointed out how both
professions involved dealing very carefully with the whole as well as
with details. At the end
of the meeting, as the audience lined up to meet the writer, he chatted
patiently with every single person, offering his telephone number or e-mail
address freely. I have not
yet read Dr. Verghese's books. But, as I left the meeting, I thought to
myself: "If I ever fall seriously sick, this is the kind of doctor I would
want, and if I ever fell into some serious trouble, this is the kind of
friend I would like to have." And, yes,
I am going to read his books too. - - - - -
- - Here
are some excerpts from a 1998 Abraham Verghese interview with Barnesandnoble.com:
Q: How do
you think the role of doctors will change in the next century? A: I suspect
that the challenge for doctors in the next century will be to rediscover
why the profession was once called the "ministry of healing,"
to rediscover why medicine was at one time a calling and not a particularly
lucrative one at that. People who visit doctors are looking for more than
a cure, they are looking for "healing" as well. To understand
the distinction between "healing" and "curing," let
me use an analogy: If you have ever been robbed, and if the cops came
back an hour later with all the stuff taken from your home, you would
be "cured" but not "healed" -- your sense of spiritual
violation would still remain. In the same way, all illnesses have these
two components: a physical violation and a spiritual violation. Years ago,
when there were very few effective medications, the horse-and-buggy doctor
by his or her presence at the bedside, often for extended periods, could
bring about a healing (by which I mean helping patients come to terms
with their illness) even when the disease was fatal. As Western medicine
has become better at dispensing cures, the healing aspect has suffered.
I think the public is much more willing to seek out alternative medicine
and practitioners of alternative medicine because they recognize that
Western medicine has become caught up in the conceit of cure, with no
time for the spiritual violation of illness. I think the burden will be
on doctors to rediscover the lost art that our predecessors of a century
ago were so good at. Q: What do
you see as some of the most effective ways to curb drug abuse? A: There
is a saying in AA: "In your secrets lie your sickness." The
sickness of addiction is one of being alone, of not really, genuinely
populating one's world -- a phenomenon very apparent among impaired, addicted
physicians. AA or NA works by forcing the addict into becoming a societal
creature, letting go of his or her secrets and into repopulating his or
her narrow world. I worry that
in our technological age, we have many more friends (and cyberfriends)
than ever before, but less time to nurture these friendships and relationships.
And yet these connections are at the root of our mental health and our
well-being, they make us feel we belong. Drug use, particularly among
physicians -- one of the themes of THE TENNIS PARTNER -- is a form of
medicating oneself. It's not done to produce "euphoria" but
to relieve the "dysphoria" of a incredibly busy and stressful
existence. If I were
to narrow my answer to how one curbs drug use among physicians, I think
we need to find ways for young medical students and doctors to talk about
their stress and their feelings in regular organized meetings. The AA
meeting model is a great one; it applies to any profession, any group
of people. It gives a place to vent. The macho, witness-the-carnage-but-keep-it-all-in
mentality of residency training does not serve us well and makes it more
likely that we will, when we are ill, self-medicate and deny our patienthood
to the very end. In society
at large, the war on drugs really hasn't worked. Addiction, once established,
is an illness as discrete and distinct as diabetes is an illness. The
more we understand about the brain, about a part of it called the medial
forebrain bundle, the more we will see addiction as a neurological disorder.
And as an illness we need to treat it, not jail the victim. I suspect
50 years from now we will look back on the war on drugs as being as primitive
as the chaining up of mentally ill patients a century or so ago. Q: If you
could invent something, what would it be? A: That's
easy: a time capsule into which I could escape for a six month sabbatical
and return to find that only a minute of ordinary time has passed! Q: Name your
three favorite books. A: a) OF
HUMAN BONDAGE by Somerset Maugham This is the book that first stirred
my passion for medicine when I was just 12. b) LOVE IN
THE TIME OF CHOLERA by Gabriel García Márquez The most sensuous
novel I have read. c) THE WORLD
ACCORING TO GARP by John Irving A grand comic novel, in the best tradition
of the comic novelists like Charles Dickens and Günter Grass. -30-
"In medical school, you are taught to observe, to pick up the
significant details and to bring them all together into a diagnosis,"
Dr. Verghese said. "That same art of observation is fundamental to the
process of writing."
A master of metaphor, Dr. Verghese constantly makes connections between
literature and medicine. In fact, it was a novel that first attracted
Dr. Verghese to medicine.
The
Delectable Doctor
By John Laxmi
John Laxmi is a freelance writer
and former banker in New York.

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